Lines of demarcation

All poets sift their childhood for subject matter, and some experiences surface more readily than others.

 

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Canned-Sardines

 

It was winter, several weeks from his fifth birthday

when  his father left him at  grandmother’s farm.

No memory of  a parting,  perhaps its casualness

the catalyst for future ambivalence?

 

Years later partial memories  surface:

silk slide on thigh in his aunt’s narrow bed

tea-time excitement by her  side

as she soared above her dour brothers

and danced the worn breadknife

in her mother’s impassive face  —

owning the moment until the matriarch

resumed power with pilchards,

bowl upended over daughter’s head.

In the petrified silence, stripes,

glistening stripes of gutted fish in blood-red sauce,

swam slowly  through immaculate curls.

 

In the outside toilet’s candle-lit terror

fear was distortion of the known.

Where, however carefully and often

he applied the coarse,  waste paper

arse-wiping properly proved impossible.

Squawk-barks of matriarchal rage

proclaimed any shaming stripes,

daily, at  the underpants ritual  exposure .

 

Expelled from the farm around his  fifth birthday,

the child feared  his Whooping  Cough’s

persistent barking had  lost him his place?

There was indeed a loss – his displacement

announced by stripes,  pink and white stripes

of the shawl around the unknown new sister.

Nothing was said—of his dispatch or her arrival,

a poor introduction – from which neither recovered

 

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